2010-2012 were times of cataclysmic change in the publishing business. It was 2010 when self-publishing really came into its own and previously "untouchable" authors began selling tens of thousands (millions, in some cases) of books. Amazon, being masters of marketing and digital commerce, knew how to strike while the iron was hot. They used their power position to draw established authors into the Indie fold with promises of easy sales and higher percentages of profits. In many cases they delivered, and then some. And they pushed the Kindle by taking losses and offering savvy shoppers deals that were -and still are- just too good to pass up.
This was the time when Amanda Hocking traded her indie career for a cozy multi-million dollar publishing contract. Barry Eisler walked away from a comfortable traditional publishing deal to go Indie. To the best of my knowledge, he banked on his own talent and won. Joe Konrath led the way, unselfishly using his blog to educate and inform thousands of us with indispensable advice on how this business works and ways to maximize our profits. Dean Wesley Smith and his wife Kristine Rusch did the same, offering their hard-earned experience freely, and so did dozens of others. (Too many to mention, but have a look at the blogs I follow in my profile)
With the fire kindled (excuse the pun) tens of thousands of authors jumped in with both feet. For the most part, those with no previous publishing experience got the first payoff. Their counterparts were either trapped in contracts with no-compete clauses or simply too afraid to risk everything on a venture that, until now, had always been considered a clear sign of failure. I already mentioned Hocking's nice publishing deal and there was also that three-week period in which Konrath made about $100,000. But those are just the big stories.
Even as we speak, thousands of writers who never had a chance of working in traditional publishing are now making a living doing what they (we) love. Others are getting rich and/or signing fantastic deals with traditional publishing houses (like Hugh Howey). Even those who aren't huge commercial successes are practically guaranteed to make coffee money. Like wildfire, the word has been spreading: "There's money to be made in publishing !" Wow. Whoda thunk?
But times were not so good for legacy publishers and big book sellers. Borders is gone now, along with a few others whose names I can't even remember. Barnes & Noble is hanging on, but only by rapidly downsizing and cutting costs in the attempt to balance profitability with size. The Nook is helping, but arguably so. The latest analysis I've read suggests e-book sales aren't growing fast enough on the Nook. And big publishers are in much the same situation. Downsizing and consolidation are the catch-phrases in the business right now. Profitability, not so much. Again, shoring up the bottom line by cutting staff, reducing inventory, and closing stores is not a sustainable business model.
So, what do I think 2013 will bring? I don't have a crystal ball, but my thinking cap tells me more of the same, mostly. More indie authors taking the plunge, some of them making it big, most realizing this really isn't their thing even if it is nice to have coffee money coming in regularly; the midlist growing to accommodate more authors whose slice of the pie might replace their day job but is less and less likely to make them rich. Big publishers will continue to consolidate and downsize. Barnes & Noble will continue to shrink. Small independent bookstores will see a resurgence, filling in the vacuum created by the demise of the behemoth that drove them away in the first place.
Last but not least: Amazon and other commercial sites have taken acute interest in the sock-puppetry and gamesmanship by certain writers. Independent sites like Goodreads have been slower to take up the cause and seem reluctant to out these players, but I believe that in the interest of maintaining loyal readership, they will make a greater effort to stifle this behavior (some have already implied as much). Even if they don't, I doubt it will make much difference in the long run. The authors engaging in this behavior don't have the chops to stay in the business. They already know this; hence the gamesmanship. In my opinion, we'll see the majority of these "writers" disappear over the next few years for one reason or the other. Some of them will be sued.
Did you catch that last point? Here's the thing: Misrepresenting your work, the work of others, and so on, is fraudulent. It costs people money and in some cases, makes them feel very foolish. If you think I'm exaggerating, ask Lance Armstrong. After admitting he lied about just about everything and made massive amounts of money doing so, he's being sued for millions. Lance's gain was someone else's loss: the sponsors, the endorsements, even the publishers and the lowly readers who bought his books have all been defrauded. And the lawsuits are piling on. Expect this to continue in 2013, and to spread into other areas. Expect at least one not-so-clever writer to be sued because of this sort of thing.
Or not. I'm just making educated guesses here, and for all I know a comet could hit us next week, wiping out half of the civilized world. Barring something like that, I think I have a few good guesses here. We'll find out soon enough.